Drawing people is my favorite form of art and where I find emotionnal connection. For me, it’s more than capturing how someone looks; it’s about unveiling what they exude, intentionally or not—their light and shadow— their essence. Every portrait is my read on them.

Faces

This series explores the emotions and resilience during the pandemic, capturing hidden expressions and the strength found in isolation.

Coronart

This series explores the tension and vulnerability of love, inspired by my commercial work for Puma. The We don’t need to fight pieces—where boxers hug instead of fighting—sparked a deeper reflection on cognitive dissonance and the filters through which we interpret the world. Healing begins when we stop fighting our own shadow and learn to integrate it. Only then can we find peace and true joy.

Punching Love

Known for detailed and vibrant work, I see this series as an exercise in simplification. Using my signature pink as a foundation, I explored bold, minimal compositions—playing with words, gesture, and typography. It’s about saying more with less, distilling emotion into something direct, raw, and visually striking.

The Pink Series

This series explores love and attachment. The Free Hugs drawings (featuring a cactus, an octopus, and a figure wrapped in barbed wire) reflect the paradox at the heart of attachment: we often crave what wounds us. We’re not drawn to what makes us happy, but to what feels familiar. Real healing begins when we recognize those patterns, understand their roots, and choose differently. That’s how we move toward wholeness.

Love Love

Another exploration of love, romantic partnership, and the emotional brain—this series reflects on the complexity of connection. Love is a puzzle, just like life: layered, unpredictable, and not linear. Through symbolic imagery and fragmented forms, I explore how we seek meaning, harmony, and understanding in the messiness of intimacy.

Cherries
& Puzzles

Portraits of Ian Curtis, the melancholic voice of Joy Division—a band that I love and is part of the original soundtrack of a formative time in my life. His raw intensity and vulnerability accompanied me as I began to discover my visual style.

Ian Curtis

Inspired by my time in Berlin, this series of animations—based on my illustrations—uses skeletons to explore the tension between death and joy. Through dark humor and contrast, I reflect on love, aliveness, and what it truly means to be alive.

Nocturnes

Oldies but goldies

Old drawings that I like.